Burial
Martin Clark entrevista Burial sobre o seu primeiro álbum, homónimo, a sair em Maio pela Hyperdub. A certa altura dizem isto, e isto é precioso, certeiro, bang on the money, etc:
B: There’s no ‘musicianship’ in my sound, that’s the enemy of my tunes. Fuck Rhodes chords, fuck that noodle stuff. There’s been a lot of times when producers I’ve liked have gone all ‘musician’ on me and just produced shit, not underground.
M: It’s the difference between some ruff Rodney Jerkins or Timbaland production of Destiny’s Child – which is this perfect balance between sweet and sour, hard and soft, male and female – and then hearing Destiny’s Child live in a stadium backed by a session band complete with some fat drummer with too many 80s toms, a poodle-rock guitar player and some jazz-y keyboard player drawing for the presets.
B: Fuck that. If my tunes sounded like Herbalizer or some shit, I’d shoot myself. I’d throw myself under a train at Clapham Junction.
B: There’s no ‘musicianship’ in my sound, that’s the enemy of my tunes. Fuck Rhodes chords, fuck that noodle stuff. There’s been a lot of times when producers I’ve liked have gone all ‘musician’ on me and just produced shit, not underground.
M: It’s the difference between some ruff Rodney Jerkins or Timbaland production of Destiny’s Child – which is this perfect balance between sweet and sour, hard and soft, male and female – and then hearing Destiny’s Child live in a stadium backed by a session band complete with some fat drummer with too many 80s toms, a poodle-rock guitar player and some jazz-y keyboard player drawing for the presets.
B: Fuck that. If my tunes sounded like Herbalizer or some shit, I’d shoot myself. I’d throw myself under a train at Clapham Junction.
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