Dubstep
Artigo de Martin Clark sobre Loefah e as noites lobdrinas DMZ e a sua página mensal no Pitchfork, desta vez mais entusiasmada (logo, mais entusiasmante; não que ele não costume sê-lo), juntando-se aos sinais que andam no ar a dizer que 2006 será um ano de ouro para o dubstep; do grime aguardam-se novidades/ surpresas.
O texto do Pitchfork tem este parágrafo curiosíssimo: «Sonically, Loefah tunes do sound like an absence of sound, or an absence of form at least. Like a sculptor's mould, the echo patterns of delayed riffs, the black hole foundation of sub bass and the wispy curve of a synth sweep together imply a volume long since removed. Reverb too, so heavily used in dubstep to suggest darkness, replaces a sound with its corresponding echo travelling back through space from vast cavernous walls. It's form by inference not substance». Hauntology, anyone?
O texto do Pitchfork tem este parágrafo curiosíssimo: «Sonically, Loefah tunes do sound like an absence of sound, or an absence of form at least. Like a sculptor's mould, the echo patterns of delayed riffs, the black hole foundation of sub bass and the wispy curve of a synth sweep together imply a volume long since removed. Reverb too, so heavily used in dubstep to suggest darkness, replaces a sound with its corresponding echo travelling back through space from vast cavernous walls. It's form by inference not substance». Hauntology, anyone?
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